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Anime and Its Roots in Early Japanese Monster Art
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Episode 3. Years in anime.
By Zilia Papp. Kent, UK: Global Oriental, Anime and Its Roots in Early Japanese Monster Art is a welcome addition to the growing body of academic writing in English on Japanese manga and anime. However, it suffers from a misleading title, which may alienate its target audience of Japanese scholars, because it implies an essentialist, totalizing, or even Orientalist perspective that treats all Japanese culture as unchanging and looks to ancient art or literature to explain modern culture.
Anime And Its Roots In Early Japanese Monster Art Papp Zlia (ePUB/PDF) Free
This book is not, as the title implies, an overview of classical sources of contemporary anime or a survey of Japanese cultural elements in anime as a whole. She analyzes the work of author and artist Mizuki Shigeru b. He also toned down some of the horror elements to create a more child-friendly version in manga format. Nevertheless, it is central to the development of manga and anime and remains tremendously popular in Japan.
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Papp draws most of her biographical details from accounts Mizuki has written of his own life; he describes himself as having been interested in folklore and art from an early age. His formative experiences, however, came as a soldier in World War II, when he was posted to New Guinea from to During his time there, he claims to have had supernatural experiences in the jungle. While recovering from the loss of his left arm in an air raid, he formed close friendships with local tribes and became fascinated with their folklore.
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